Mathias Prange, Der Niobidenmaler und seine Werkstatt (Frankfurt: Lang 1989), pp.Settis (eds.), Aparchai: Nuove ricerche e studi sulla Magna Grecia in onore di P.E. Elena Epifanio, “Un cratere Imerese dell’officina del Pittore dei Niobidi”, in L.Moon and Louise Berge, Greek Vase-Painting in Midwestern Collections (Chicago: The Art Institute of Chicago, 1979), pp. II (Oxford: The Clarendon Press, 1963), p. Beazley, Attic Red-Figure Vase-Painters, vol. Erika Simon, Opfernde Götter (Berlin: Röll, 1953), p.Webster, Der Niobidmaler (Leipzig: Keller, 1935), p. Rich, “Five Red-Figured Vases in the Art Institute of Chicago,” American Journal of Archaeology 34 (1930), pp.
Bulletin of the Art Institute of Chicago 16 (1922), pp.Wilhelm Fröhner, Collection van Branteghem: Vases peints et terre cuites antiques (Paris, 1892), no.The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Ryerson Reference Number 1922.2197 IIIF Manifest (circa) or BCE.Ĥ50 BCE Medium terracotta, red-figure Dimensions 38.4 × 41.2 cm (15 1/8 × 16 1/4 in.) Diam.: 41.2 cm (16 1/4 in.) Credit Line Gift of Martin A. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Status Currently Off View Department Arts of the Ancient Mediterranean and Byzantium Culture Ancient Greek Title Bell Krater (Mixing Bowl) Place Athens (Object made in) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. His greaves, or shin protectors, are stored on a shelf in the background. Nereus looks on from the right, and a Nereid, a long fillet in her hand, stands behind him. Before him, Thetis holds an oinochoe, or pitcher, from which she has filled or is about to fill his bowl, while also supporting her son’s shield. His helmet pushed back, Achilles is seated before a column, holding a spear in one hand and a libation, or offering, bowl in the other. This scene is believed to depict Achilles, the great Greek warrior of the Trojan War, at home with his mother, Thetis, her father, and Nereus, and a Nereid, or sea nymph. Behind him, another woman extends her hand as if to take his shield, which bears the image of a lion, its tongue extended. Since he hands his helmet, decorated with a leaping dolphin, to a woman wearing a diadem, or crown, who stands before him, he may be returning from battle. In the center stands a warrior, whose long spear breaks the picture plane into two parts. This type of krater, or bowl for mixing wine and water, takes its name from the resemblance of its shape to an inverted bell.
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